Below are details on the exhibitions and events we have curated as captincaptin and also as Jonathan Munro and Gareth Goodison:

 

Unleashed Devices
(Watermans, 40 High St, Brentford London – 1st September – 22nd October 2010)

Tine Bech, Hellicar & Lewis, Patrick Tresset & Nanda Khaorapapong, Daniel Soltis, John Nussey, Matthew Applegate/ Pixelh8, Alex Zivanovic, Neil Mendoza & Anthony Goh, Communications, Ryan Jordan, Genetic Moo, Wajid Yaseen, Eduard Prats Molner & Marijana Mitrovic, Owl Project, sketchPatch, Mary Thompson, Peter Forde, Evan Raskob, Owen Bowden, Tom Schofield, Dave Griffiths, Stuart Dunbar, Anna Dumitriu, Megan Smith, Vincent Van Uffelen & Olga Panades, Andy Deck, Jordan Tate & Adam Tindale, Andrew Back, Thessia Machado, Daniel Ploeger

Unleashed Devices is an exhibition of DIY, hacking and open source projects by artists who explore technologies critically and creatively. By reconstructing, remixing and reinventing everyday electronic devices, these take on a new life as they shift our vision of the use of data and purpose of technology. Playing with frontiers, such projects not only challenge our conception of technology but also music, art and design. Here, they reveal the power of DIY modes as tools to stimulate social reflection and participation. Unleashed Devices was co-curated with Irini Papadimitriou, Head of New Media Arts Development at Watermans, more information can be found at TINT

 


 
 

TINT at Open Source @ Techvill
(Brixton Village / Granville Arcade, Coldharbour Lane, London – 24th April 2010)

Genetic Moo, Vincent Van Uffelen, Owen Bowden, Stuart Dunbar

On Saturday 24th April TINT was pleased to presenting a selection of artists in a one day event at Brixton Village Market. The event is organised by Spacemakers also featured other arts groups exploring media arts, computational arts, coding and hacking. The Spacemakers Agency is about rethinking the spaces in which we spend our time, They have taken over 20 empty shops in a 1930’s arcade market in Brixton and created a rolling festival of pop-up performances and exhibitions, new shops, cafes and weekend events. More information can be found at TINT

 


 
 

TINT at Kinetica Art Fair 2010
(P3, University of Westminster, 35 Marylebone Road, London – 4th – 7th February 2010)

Parag K Mital, Agelos Papadakis, Dave Murray-Rust, Owen Green

For the Kinetica Art Fair 2010 we presented two collobrative art projects involving four artists living and working in Edinburgh, Scotland. Kinetica Art Fair is the only Art Fair in the UK dedicated to kinetica, electronic and new media art, focusing on universal concepts and evolutionary processes. By pushing boundaries across many different disciplines, the fair represents a new and experimental form of art. More information can be found at TINT

 


 
 

Media Art. A 3-Dimensional Perspective
(Add-Art, Online, Worldwide – 16th – 23rd January 2010)

Mike Blow, Madi Boyd, Matthew Curtis, The Egg Group, Jamie Elliott, Winnie Soon, Parag K Mital and Agelos Papadakis, Yan Seznec.

Image as a documentation of a 3-Dimensional form is limited to the boundaries of a frame. It allows us to capture an object and to archive a moment in time, but how we perceive the areas outside the extremities of the 2-dimensional image is dependent upon our interpretations. Unable to see all the viewpoints of an object or setting within this space, our minds create a logical impression of how it would appear were we to be placed at the instance of the image. More information can be found at TINT

 


 
 

Old Spitalfields Market
(Old Spitalfields Market, Bishopsgate, London – 29th September 2009)

captincaptin, Stuart Dunbar, Vincent Van Uffelen, Tanja Vujinovic, Tobias Revell.

captincaptin showcased several artists work when Kinetica returned to the Old Spitalfields Market with several artists taking over market stalls to display their work through presentations and performances. Marking the end of the London Design Festival, Kinetica presents the work of groundbreaking Cybersonica artists including a fusion of woodwork and electronics from the Owl Project, audiovisuals from Daniel Jones, and a demonstration of the Monome interface by Matthew Davidson. Organised by Kinetica Museum, TINT’s inclusion in the event was curated by captincaptin. More information can be found at TINT

 


 
 

Virtually Real: TINT at i-Design 09
(University of Westminster, 309 Regent Street, London – 24th September 2009)

captincaptin, Stuart Dunbar, David Strang and Vincent Van Uffelen, Tanja Vujinovic.

An essential one day conference and showcase for anyone with an interest or passion for interactive design and the digital arts. The programme aimed to inspire, entertain and explore how our digital future looks set to unfold and the central role interactive design will take in our cultural, work and social life. captincaptin was pleased to present four artworks by six artists alongside Kinetica museum and Cybersonica. Virtually Real was organised by Cybersonica with captincaptin curating TINT’s inclusion in the exhibtion. More information can be found at TINT

 


 
 

Passing Through
(James Taylor Gallery, Hackney, London – 14th – 24th May 2009)

Artists: Bulbcollective, captincaptin, Matthew Curtis, Stuart Dunbar, Jamie Elliott, Peter Forde, Jon Garlick, Richard Kendrick, Lottolab Studios, Parag Mital, Agelos Papadakis & Dave Murray-Rust, Artemis Papageorgiou, Tobias Revell, David Strang, Jamie Thompson.

The progression of Interactive art is not a recent phenomenon, originally explored in the 1960’s; it’s visibility in the art world has often been shrouded, seen as a fad created by artists whose principal concern is in producing works of technical trickery, rather than artworks that pursue an intellectual and referential meaning. However, in society and indeed culture we are forever forging stronger relationships with technology. Human-Computer Interaction (HCI), GPS, iPhones and the Internet are all examples of the daily influences of digital media. This interaction has and is continuing to shape the way we live, how we perceive our environment, the way we communicate with each other, and importantly how we view our relationship with art. Passing Through explores the movement of the spectator turned interactor on a personal journey, engaging in direct conversation with the artworks in order to realise and complete the work that would not exist without his/her actions. More information can be found at TINT